There are plenty of creators (writers, directors, composers, etc) who end up creating work within a existing universe. Think making Star Wars movies, or writing a Star Trek novel. Often the desire for the creator to put their own stamp on the work bumps up against the “rules” and history of the universe. But how should you approach creating something in a universe that already has rules and history?
The BBC and AppleTV+ released their 5-part series on dinosaurs called Prehistoric Planet this week, featuring the voice of Sir David Attenborough. It focuses on 5 different general biomes at varying times in the cretaceous. It’s visually stunning for the most part, but it has some rough spots. Before you begin this, please note that this review is NOT spoiler-free, so proceed at your own risk.
First, yes it has been over a year since I last put something here. Things happen, but I’m now in a place where I’m getting active again. Thanks to friends and family for their support.
A few months ago, I stumbled on a form of fiction writing called “drabbles”. A good friend pointed out, after I had posted my “vignettes”, that there was a whole class of writing called microfiction, very short stories. I hadn’t thought about it much since he mentioned it, but I came across an article in a writing magazine I had recently subscribed to that covered the drabble. After doing some digging via Google, and reading some examples of the form, I decided to give it a try.
But what is a drabble? It is a form of microfiction where the work is exactly 100 words long. It is a middle-ground of sorts in microfiction, with the addition of a small bit of formal structure. There are other forms of microfiction. One involves writing a story incorporating a daily topic word posted on Twitter, and the work itself must fit within the bounds of a single tweet. Others include works that are less than 1,000 words, or around 300 words, or even as small as 50 words. The name is a play on the word “dribble”, but since the story can be somewhat more expansive, the name “drabble” was coined.
The idea of microfiction was driven, in part, by an exchange involving Ernest Hemingway. He was challenged to write an extremely small, but complete, story using as few words as possible. He came up with six:
For sale, baby shoes. Never worn.
Those six words can form the core of a host of different stories, some sad, some hopeful and positive. But over time it has become a challenge to other writers: can you write a meaningful story using a modest number of words?
To get myself back into writing, I decided to give this new form a shot. I have a few works I have written that will appear on this site shortly, and I intend to post more over time. I expect many of them will not be very good, but it is through practice that we get better.
One of the common themes of reviews of Greyhound is the lack of character development. This contains potential spoilers while describing a different perspective on the characters in the film.
AppleTV+, in association with Sony Pictures, released Greyhound last Friday. While some might assume the setting, a US Navy destroyer escorting a convoy to England in World War II, might not be the most gripping, the movie tells a tense, suspenseful story, packed into 90 minutes of tension. This is meant to be a spoiler-free review.